That will be me.

Originally, I set Little Bird Publishing House up as my own unique press. It was designed to be the business front of my indie publishing career, and it worked really well. This was way back in 2010 when the idea of owning your own publishing house was still quite a novelty in the whole indie book world.
However, with the boom in indie books and authors, I began to see a LOT of dream paddlers; people offering to take your book, charge you a couple of thousand pounds and turn it into a bestseller - yeah, right!
It wasn't right - and it wasn't fair, and by late 2013, I had learned SOOO much on my steep learning curve, it felt time to help some other folks out. I began branching the idea of a publishing house with the establishment of two anthology projects. Dark Heart & Night Shade. It was an amazing way of testing the ground to see if I was ready to actually become not only an indie author, but a publisher, too. The Dark Heart & Night Shade projects led to some fabulous author friendships, and two of the authors are now fully-fledged Little Bird authors.
Fast forward to 2016 and we are a publishing family of ten; Hazel Robinson, Toya Richardson, Helen Whapshott, Alison Clarke, Martin Ferguson, Jo Richardson, Jill Turner, Katie M. John (me) and in 2017 Brandon Robb and L. Keane will be joining us. And when I use the term family, I don't use it lightly. As a collective of authors, we support each other, encourage, build, lend a hand, and generally hang out on social media.
My mission with Little Bird is and always has been that we are stronger together. That when we begin to work as a community of artists, amazing things happen - and they do.
I treat every single one of the books that run through Little Bird as dearly as my own, from the first initial edits, to the art work, to the marketing, to the love of the story - all Little Bird books are my beautiful nieces and nephews. Every author I work with is respected for their own unique and beautiful voice - that's what Little Bird is about; not crushing authors and creatives into a marketing book, but giving unique voices a chance to shine.
Every single Little Bird Book is worked until it is of a quality ready for readership - and the reviews, awards and fan-bases prove that.
I don't worry about markets and sales trends when it comes to selecting the stories we are going to publish, I focus on the story, on the author behind the story - and it doesn't matter if it sells 10,000 copies, or 10, every single story is important. Every single author's voice is important.

In 2017 we see the next big step for us as a publishing house. We are the primary sponsors of Chapter.Con London and many of the Little Bird Family will be attending and manning our Little Bird super table, and we are also going to have a full publishing table at Leeds in 2018 with Hourglass Events. We are always growing and despite sometimes feeling like I have a million hats to wear, editor, designer, publisher, marketer, author, business woman, it's an amazingly fulfilling way to live.
If you want to find out more about Little Bird Publishing, or if you are an indie author who thinks that they might like to try a different kind of indie publishing, then you can see our public website www.thelittlebirdbookstore.com, which also has a link for authors to our publisher's website www.littlebirdpublishinghouse.com
You can also come over and give us a LIKE at our Facebook page and follow us on Twitter at @LittlebirdPub - which amusingly is not a place you can procure beer from, but keep up to date with what we are all doing.
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