Showing posts with label Amazon publishing. Show all posts
Showing posts with label Amazon publishing. Show all posts

Thursday, 8 October 2015

SERIAL READER.


Welcome to day 8 of the OctoberFrights Blog Hop. Today I'm talking serials and introducing you to my new dreadpunk, gothic, detective, fairy tale serial coming out in December called 'Beautiful Freaks'.

Leave a comment to be in with a chance of winning these really fab Jack earrings and a paperback copy of the orginal novel, Beautiful Freaks, which inspired the series.

I know that many of you have  fallen in love with drama series thanks to NETFLIX, HBO and FOX. And having the technology to record, store and consume episodes has made following series an even more delectable experience. I'm a series junkie too; Hannibal, American Horror Story, Game of Thrones, The Following to name a few that have captured my adoration over the last few years. There are many approaches to the consumption of serials, but whether you are a binger or a pacer, the one thing most people agree is that serials allow the viewer to really engage in a world, and to bond with the characters in a very unique fashion.

So T.V series are fab, but have you tried the same principle with your reading? I'm not talking traditional novel series, where each full length book is released at eagerly anticipated 12+
month intervals, but a weekly, Thursday downloadable episode, each of a short novella length and designed specifically to keep you on the edge of your seat as you wait for Thursday to come around again.

Whilst attending UtopYA I came across this amazing concept and curious, I became hooked. I love the whole experience of consuming an episode and then being forced to wait with anticipation for the next.

This December sees the release of my own 12 episode serial called 'Beautiful Freaks'.


BEAUTIFUL FREAKS: A 12 PART SERIAL
STARTING DECEMBER 3rd 2015 until 28th FEBRUARY 2016

PRE-ORDER YOUR DOWNLOADS NOW TO RECIEVE THEM INSTANTLY TO YOUR KINDLE OR E-READING DEVICE ON RELEASE DAY.
 

A dark and twisted saga that winds its way through the Victorian streets of London like a luxurious and lethal ribbon.

When a series of terrifying and seemingly paranormal murders occur at a rapid rate, panic and fear grip the city. Still haunted by the ghost of the Whitechapel Ripper case, Inspector Steptree is forced to admit the murderer he now pursues maybe even more wicked and brutal. As the case closes down on the mysterious No.7 club, owned by the enigmatic Evangeline Valentine, Steptree discovers that evil is far from a fantasy.

It is against this backdrop that Kaspian Blackthorne turns eighteen and begins his apprenticeship under the scientific maverick, Doctor Greyson, a pioneer in brain surgery, and human transplantation. Whilst Kaspian is introduced to the horrors and wonders of man’s scientific progress, he also begins an epic adventure of self-discovery and infatuation. Guided into the decadent and luxuriant world of the London West End night scene by his new friend Hugh Denvers, Kaspian tastes the sweet temptation of a life less ordinary, but such a privilege comes at a terrible price.

A cast of timeless characters and dark, grown-up fairy tales interweave to create a rich and haunting tale of fear and desire.

Based on the original novel, ‘Beautiful Freaks’ written and published in 2013 by Katie M John, this series is a development of that world. This is the first season of a planned three seasons.

You can find out more about this season and forthcoming seasons on the official site. www.katiemjohn.com


#Gothic #Dreadpunk #Paranormal #Demons #Fae #FairyTales #Phantoms #Vampires #Creations #Frankenstein #ParanormalRomance #Murder #Detective #Horror #SecretSocieties #CrossOver #UpperYA


 Published by Little Bird Publishing, Katie M John is the author of the U.K No.1 best-selling YA Paranormal Romance and Dark Fairy Tale series, The Knight Trilogy.

You can find out more about Katie and her books over at her Amazon Author Page
LINK TO EPISODE 1 & 2 Of Beautiful Freaks out on Thursday 3rd December 2015
EPISODE 1
Amazon.UK http://www.amazon.co.uk/product-reviews/B0164JRJYU
Amazon USA http://www.amazon.com/gp/product/B0164JRJYU
EPISODE 2
Amazon UK http://www.amazon.co.uk/gp/product/B0164K9GKY
Amazon USA http://www.amazon.com/gp/product/B0164K9GKY

DON'T FORGET TO LEAVE YOUR COMMENT. RANDOM WINNER SELECTED IN THE NEXT WEEK OR SO. LEAVE YOUR TWITTER HANDLE TOO.

Tuesday, 7 April 2015

Serial Killer: The Complexities of Writing Serials.

So about a eighteen months ago, I had the great idea that I'd write a seven book series. I mean, after all how hard can that be? I'd completed the Knight Trilogy, and woefully suffered the grief of ending a series that I'd lived and breathed for nearly five years. It was around a third of the way through book three of the trilogy, 'Star Fire' that I really began to regret calling it the Knight TRILOGY. Yes, I could have gone all Star Wars and ignored the fact that trilogy normally means 3, but not me - I like things in numeric order or else I fear the universe might implode.

So seven books, right? I mean the original plan was that I would bash out at least two of the series in the first year in 50,000 word sized novels and then maybe three in the next. I'd given up the day job after all - what could be the problem?

Well the problem is that the first book, 'Witchcraft' ended up being 120,000 words of carefully crafted, edited and rewritten novel - oh and it took almost a year to write. The second problem was that I fell far too in love with the characters and the world that I had built to let myself just 'bang it out' without much care.

The second book, 'Vengeance' has come in at 100,000 words, and I'm more in love than ever. Even if nobody else ever reads it, I have created a story and characters that I am pleased to spend my days living with.

Now I am in the last few thousand words of Book Two and for  some reason, those last 3,000 words are my nemesis. I mean, it's all planned - of course - but some strange, almost supernatural force is stopping me from getting on with the damned thing.

So I stopped. I realised the reason I couldn't end it was because I wasn't absolutely sure of the details of Book 3, and by that I don't really mean plot; that kind of has a way of working its way out, but I wasn't entirely sure of all my characters' motivations, emotions and relationships. I needed to see the characters as their future selves so I could fully craft their present.

During the 6 hour round train trip from London to Paris and back again, armed with a lot of notepaper, a half bottle of champagne and a handful of hope, I plotted out the character development of Book Three, which allowed me the clarity I needed to do re-writes in Book 2 - when I've done those (Hopefully in some crazy two week binge of inspiration and creativity), I will write the epilogue.

You see, I'm a stickler for narrative details, and even more so for character development (building people is hard, both as a parent and as an author)  - and more importantly when it comes to sticklers, so are readers. Inconsistencies between books in a series are jarring and highly irritating, especially if like me, you consume a series in the space of a few days (weeks at most). This of course flags up any kind of plot or character horror that may have somehow occurred during the annals of time that it took the author to write the epic saga. 

Approaching it by creating a beautiful chaotic map of all that might happen, and more importantly why it might happen, has flagged up some serious but entirely fixable issues in the earlier part of Book 2 and I am so pleased that I have worked through them now rather than have to face them in a tangled mess of strings half way through the writing of Book Three. (There's a lot to be said about writing the whole series before pressing the publish button - but seven years is a long time not to eat!)

So, to all of you serial writers out there, I'm really interested to see how you approach the writing of a serial. Do you grow organically from one book to another? Or, do you plot out the whole epic saga on the back of a napkin? Or are you one of those gifted individuals where everything is worked out when your asleep, coming through as lucid dreams?

Drop a comment in the box and share x



Saturday, 30 March 2013

KDP SELECT - How to work it.

So for those of you who follow my journey, you'll be aware that almost a year ago (May 2012)  I wrote a post on 'Why Amazon KDP and I are on a break' 

In that post I explored the reasons why KDP wasn't working for me. Well a year later, I've approached the whole KDP thing in a different way and hopefully the results will be quite interesting.

The biggest issue with KDP is the exclusivity clause; which is in my opinion is unnecessary and aggressively oppressive. It is certainly not something that the Big 6 are playing ball with, which led me to the question, 'How are the traditional publishers using KDP select to their advantage?'

There are 2 main ways.

1) They are releasing sample chapters in the guise of 'books' - offering the reader a few free samples with a link to purchase the full novel.

2) They are having their author's release a short story or a novella with plenty of links to the other works (which are not on KDP select)

What they are NOT doing is signing up their main or whole novel up to KDP select and the exclusivity clause.


In order to do option 1, releasing sample chapters, they are having to 'publish' and register it as a separate work on Amazon. This does NOT involve having to register it with another ISBN or a catalogue at Neilsen, it simply means uploading it via Amazon KDP platform and having an AISN assigned to it.

Somehow this option doesn't quite sit right with me; yes, it's a clever way of directly targeting new readers by hitting the rankings in the FREE listings, but all they are really offering the reader is the same as the downloadable sample chapters which Kindle already provide. What it does achieve is the cluttering of the free rankings with samples of traditionally published novels that are already high up on the paid listings.

However, I have learned a lot from option 2 and have come up with the following plan.

NEW COVER
FRONT COVER: Firstly, it is more important than ever to have a front cover that grabs the readers' attention when jumping into the free for all race, so I have had my front cover professionally designed with an image that is fresh, eye-catching and immediately communicates genre.


SHOWCASEEven though they are shorts, I have invested in having them Beta Read and edited professionally - they are going to be the potential portal to my other works for new readers, so the first impression needs to be good.


OLD COVER
VIEW IT AS A PROMOTIONAL PACK: Secondly, I have thought about this 'giveaway' novella as a promotional pack. A teaser / gift pack for the reader. I ensured that there was plenty for the reader to enjoy so that they did not feel short changed. I included a personal note, a biography and YES, I INCLUDED CHAPTERS 1-4 OF MY NOVEL as a sample read at the end of the 'gift'.

CONNECTIONS WITH THE READER: The personal note explained how the short story, 'The Venus Club' led to the writing of 'Beautiful Freaks'. This then led onto sample chapters of 1-4 of the novel with a comment at the end saying TO READ THE REST OF BEAUTIFUL FREAKS FOR $0.99 CLICK HERE.

FOLLOW UP: I have ensured that the price of 'Beautiful Freaks' is reduced to $0.99 for a significant period after the promotion because I want to capture the reader once their curiosity has been hooked.

PREPARATION: 
TIMING: The promotion is on at the same time as a major blog tour for 'Beautiful Freaks' a connected piece of work, which means that there is quite a lot of internet media coverage going on already, allowing me to piggy back off of it.

MEDIA PACKS & BLOGGERS / FRIEND'S SITES: I also created a media pack and let other writers and bloggers know that it was available, making it really easy for them to create a spotlight on their blog. This has allowed me to direct my twitter followers and facebook followers to the spotlights and links to the promotional giveaway without directly hitting them with 'spammy' links to the promo. (Although it is acceptable in my opinion to use some of these direct links and posts because after all, your followers need to be kept informed)

CALLING IN FAVOURS: If you have worked hard at becoming an integrated member of the indie writers' community, shouting out and supporting your fellow writers then every now and then it is okay to ask them for a favour. Our community is awesome and I've been really touched by the efforts and support some of my fellow authors have offered.

INVEST: Set a budget for the promotion function on Facebook and some coverage on Twitter. It doesn't have to be a fortune but it offers a little boost to getting your information posts out there.

WORK IT BABY: During the promotional period you have to be on it, checking your stats, tweeting your peeps and announcing the achievements you are making. It's about letting the world know you're showering them with gifts without harassing them.

Watch this space for my evaluation of this promotion. So far it is going really well. 'The Venus Club + Song of The Moth' (2 Fairy Tales of Horror) has made the top 100 in the Horror charts in both the U.K and the U.S and has been in the top 20 for Historical Fantasy in both the U.K and the U.S.A. It would be really nice to see if it can hit the hallowed #1 spot but we'll just have to wait and see.

AND ON THAT NOTE, YOU CAN PICK UP YOUR FREEBIE ON THE FOLLOWING LINKS UNTIL MONDAY MIDNIGHT GMT.





Saturday, 23 February 2013

The Indie Author: The tethered Cash Cow?

It's now officially official, there has been a reading revolution and it has happened super quickly. In 2011 14.9 million e-readers were shipped world wide, add that to the 14.9 million of 2012 and the predicted 10.9 million expected to be shipped in 2010, we get a shed load of people who own an e-reader. (That's not counting the tens of millions who own a tablet with e-reading application)

Undoubtedly Amazon led the way in the e-Reader revolution with its Kindle e-Reader. The mega powerhouse that is the Amazon book store was suddenly portable and instantly on hand to anybody with one of their magical little devices.

When coupled with its incredibly easy to use self publishing platform the indie book revolution exploded into the world. I was fortunate to be at the right place in the right time at the end of 2010 with the release of my first indie published book.

At the time, Amazon offered writers like me the opportunity to indie publish their work and have a 'level' playing field amongst the traditionally published houses - in fact a possible advantage. Offering 70% royalties on books over £1.49 was an incredibly enticing opportunity. Some writers who were canny enough to be prophetic already with a back catalogue of 10+ books even found themselves making hundreds of thousands of pounds (and we've heard about the millionaire indies, John Locke and Amanda Hocking)

But with the e-Reader thing going bonkers and the self-publishing world changing every turn of the Atlantic clock, the bubbles of optimism were sure to burst. And so they have...

The impact of the $0.99c Price wars: And the real winner is...

Firstly nobody really understood or thought that the price wars would impact on indie works so much. Humbled by their legacy-reputation of vanity publishing, indies soon realised that in order to gain a readership they would have to lower the price (and value? of their book) to $0.99 / £0.79p. I resisted for a long time, not because I believe readers should be milked for every cent, but because I knew that the $0.99c route was a very perilous one indeed. In the end market forces forced the decision on me and I lowered the price of my first book to $0.99c. It was a gamble that paid off in lots of ways but Amazon was quickly becoming Saturnine; yes, you can lower your book to $0.99c but you will only get 30% royalty.

There are now hundreds of thousands of $0.99c books on Amazon, and that is a lot of $0.70c profits filling up their coffers.

I am yet to understand why there is this difference in % royalties other than Amazon knowing that they are on to a very, very good thing and the indie writer is now nothing more than a domesticated cash-cow: Tethered fast by the KDP select program which insists on exclusivity to take part.  Goodness knows why (other than it being an overt attempt to monopolise the book selling world)

KDP Select & The dangers of all your eggs in one basket: 

In principle this is an excellent facility. When it first came out I jumped at it and had several very successful promotions. However it was early days for The Knight Trilogy, and at that time I was happy to be 'exclusively' on Amazon. But as time has gone on and I've had my docs specially formatted for Smashwords premium catalogue (allowing me access to iTunes / iBooks, Barnes & Noble, Nook and Kobo platforms, establishing profiles on each of them) I am reluctant now to pull The Knight Trilogy out of those for the sake of being able to freely give away a couple of thousand copies on Amazon.

 I'm increasingly wary about putting all my eggs in one proverbial basket - especially with a predicted fall in e-Reader sales (predicted to be as low as 8 million in 2014) as Apple, Samsung and Android tablets come storming up the market. (For more information on these market trends head over to http://www.emarketer.com/Article/Tablets-Surge-Ereaders-Struggle/1009555 )

I opted out of the KDP select program for this very reason about 12 months ago in order that I could investigate other platforms - unfortunately, such is Amazon's hold on the worldwide market that sales on sites such as Smashwords and e-zreader are very minimal.

How to make a living on Amazon: Series and coming to an agreement with your readers

I'm lucky that the genre and audience I write for lends itself towards series, which means I can afford to have my first book on at 0.99c and then have the rest of the series on at a more realistic living price. (Point of note: I have a 88% follow through on readership, with readers happy to pay £1.49 - £2.49 for books in the rest of the series.)

Interestingly though the readership thing is complex and despite having an 88% 'loyalty' for The Knight Trilogy, my stand alone novel 'Beautiful Freaks' has really struggled and I am probably going to have to lower that to $0.99 for a time (Gut galling as it is by far a more technically accomplished book and a gorgeous story - it's the favourite of all I have written)

I love writing, I love story telling even more. I want to spend my life writing books but I need to be able to pay my mortgage and put shoes on my children's feet. So I'm going to marry my love of writing with my business head; I am writing a 7 book series - and no I'm not compromising on quality. It took me four years to write the Knight Trilogy. I am planning on writing and publishing book 1-2 of The Meadowsweet Chronicles this year. I couldn't have done this four years ago (or before completing NaNoWriMo or investing in Scrivener) but I am more skilled, a stronger writer, wiser about what my readers want from a book. My readers want beautifully, passionately, honestly told stories that let them escape. They do not want the wordsmithery of Umberto Eco or the almost too clever genius of Will Self that leaves them feeling intellectually unworthy. My readers are clever, astute, savvy and will not take any messing - they know what they like and they have high expectations: I strive to meet them. My love of writing and their love of reading will make us a happy bunch.

From the business point of view, the books will be lower priced at the beginning of the series (after all my readers are taking a gamble with their hard earned cash) and then we will come to a compromise whereby the reader acknowledges my need to eat and their need to read on. However, I will never screw my readers over by whacking them with a $24.00 price tag for one of my new releases! (They'll stay below the $3.99 tag)

N.B Bundles: You can see from the image that another way around the 30% royalty issue is to bundle all your books into one and then charge $3.00  for the complete bundle. This way your reader is still paying the golden 0.99c a book but the writer is getting 70% royalty. It's swings and roundabouts - you lose the potential of a higher gain by readers going onto buy 2-3 at a higher price but you capture a 70% royalty outlay from the start. A few of these a month really boosts your royalty account.

How to bite back the hand that feeds: Refuse to play Amazon ball.

There is no denying that as an indie, I NEED Amazon and apart from their blatant exploitation of my vulnerable position as an indie, they serve me very well. Over 90% of my sales come from Amazon and it is because of them that I have bread on my table (I could afford wine to go with it if they cut me a 70% royalty on 0.99c!)

But there are ways that we could change things and one of these is promoting more of our work with the Smashwords links. Smashwords is a 'hidden' shop. Authors and those in the writing community are mostly aware of it and it has become very much the place where authors buy their own reading material. Smashwords offers a set royalty of 70% regardless of list price. It also allows the author to run coupons, giveaways etc without the demands of exclusivity.

Smashwords gives readers the choice of their download format - catering for almost every form of e-Reader and tablet device. Just because a reader has a Kindle it doesn't mean they are trapped into buying their works from Amazon - we can chip away at their sales monopoly. Readers can hop over to Smashwords, fill their Kindle with $0.99c books and know that the writer is getting a fair deal - a living wage.

Call to arms: 

  • When tweeting links to your books alternate them between the Amazon page and the Smashwords page. 
  • Write a blog post explaining to readers the buying options they have and how you are striving for a better deal for writers. 
  • Refuse to put all your books on Amazon at $0.99 and help to push the 'norm' back to $1.49 and a 70% royalty agreement
  • Love Amazon for all they do for us but don't let it be unconditional. Run your giveaways through Smashwords and spread your book across various platforms (Beware the falling e-Reader sales) 
USEFUL LINKS:



Added at 3.39 Saturday 23rd Feb: 

As I said in the post, things change so rapidly and here is living proof over at Publishers' Weekly

http://www.publishersweekly.com/pw/by-topic/digital/content-and-e-books/article/56042-indie-booksellers-sue-amazon-big-six-over-e-book-drm.html 

It seems that it isn't only authors that are feeling the tethered effect of the Amazon powerhouse. Several independent booksellers are suing publishers over DRM and the monopolisation of the e-book market by Amazon.
 “Consequently,” the complaint states, “the vast majority of readers who wish to read an e-book published by the Big Six will purchase the e-book from Amazon.”